NAC Hi-Motion II: Ultra Slow Motion Camera System
This is the evolution of the 62nd EMMY® Award winning Hi-Motion technology.
The nac Hi-Motion product family is the only HD Ultra Slow Motion camera systems employing 3-chip image capture technology.
Since its development in 2003, the nac Hi-Motion has been embraced by sports broadcasters
around the world, having been featured in the Olympic Games, FIFA World Cup, and the Asian Games, as well as Golf, Football, Tennis, Cricket, Boxing, Rugby, Volleyball, Basketball, Hockey, Baseball, Swimming, Motor Racing, and much, much more.
*Ikegami is a distributor of Hi-Motion .
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3-chip sensor
The Hi-Motion II camera is equipped with a B4 mount and a 3-chip CMOS sensor block generating native 1920 X 1080 pixels without the need for any adapters.
The Hi-Motion II camera is equipped with a B4 mount and a 3-chip CMOS sensor block generating native 1920 X 1080 pixels without the need for any adapters.
Paint Function
The Hi-Motion II Operation Control Panel (OCP) allows the user flexibility manipulating the camera's image quality, using a look and feel identical to that of standard HD broadcast cameras. With Industry standard Matrix settings and easy colour matching to the other line cameras on the show.
The Hi-Motion II Operation Control Panel (OCP) allows the user flexibility manipulating the camera's image quality, using a look and feel identical to that of standard HD broadcast cameras. With Industry standard Matrix settings and easy colour matching to the other line cameras on the show.
Flicker Correction
The Hi-Motion II has implemented the Flicker Correction, so the effect of lighting flicker is reduced in the ultra high speed images.
The Hi-Motion II has implemented the Flicker Correction, so the effect of lighting flicker is reduced in the ultra high speed images.
Continuous Live Output
The Hi-Motion II provides continuous live video output. This allows the Hi-Motion II to be used as a standard broadcast line camera, as well as a replay camera.
The Hi-Motion II provides continuous live video output. This allows the Hi-Motion II to be used as a standard broadcast line camera, as well as a replay camera.
Recording during Replay
The Hi-Motion II allows the users to simultaneously record ultra slow motion images during replay. This allows the users to cue up crucial slow motion imagery without missing any crucial on-field action.
The Hi-Motion II allows the users to simultaneously record ultra slow motion images during replay. This allows the users to cue up crucial slow motion imagery without missing any crucial on-field action.
Operation and Control from EVS
Hi-Motion II allows the users to operate and control from EVS series at Hyper Motion mode as well as its dedicated controller for record & replay.
Hi-Motion II allows the users to operate and control from EVS series at Hyper Motion mode as well as its dedicated controller for record & replay.
| [Camera Head] | |
|---|---|
| General | |
| Image Sensor | 3x CMOS, 2/3-inch Optical System |
| Effective picture elements | 1920x1080 |
| Lens Mount | B4 Mount |
| View Finder |
2-inch B/W viewfinder (standard) 9-inch LCD color viewfinder (option) |
| Operation temperature | -15 to +40 degrees C |
| Storage temperatue | -30 to +60 degrees C |
| Memory | 96GB (32GB x 3ch) |
| Frame rate | 24 to 1000 fps, 1fps step |
| Recording time | 38 sec. (at 300fps) |
| Shutter | 1 to 100%, 1% step |
| Dimensions (W x H x D) | 146 x 326 x 456 mm |
| Weight | 7 Kg (without VF and lens) |
| Input/Output connectors | |
| HD-SDI (Replay) | 1x BNC type :1080i or 720p / 59.94 |
| HD-SDI (Live) | 1x BNC type :1080i or 720p / 59.94 |
| HD-SDI (Monitor/Return) | 1x BNC type :Monitor-out or Return-in selectable |
| Viewfinder | 1x Hirose 20pin |
| Accessory DC Output | 1x XRL 4pin : DC 12V Output (max.2A) |
| Remote | 1x Hirose 12pin : for Slow Controller & Optional RS-422 |
| DC Input | 2x Neutrik 3pin : DC11 to 17V |
| Lens | 1x Hirose 12pin |
| Mic input | 2x XLR 3pin |
| Intercom 1 | 1x XLR 4pin |
| Intercom 2 | 1x XLR 5pin |
| Genlock | 1x BNC type : HD Tri-Sync or PS / SD VBS or BBS |
| Sync | 1x Hirose 6pin : VD (Input/Output), Trigger (Input) |
| AUX | 1x Hirose 10pin : RET 1&2 (Input), R&G Tally (Output) |
| OCP | 1x Tajimi 8pin |
| J-PAD | 1x Hoshiden 9pin |
| USB | 1x USB (Standard A) |
| Hybrid Fibre Connector | 1x LEMO 3K or TAJIMI OPS (selectable) |
| [CCU] | |
| General | |
| Power supply | AC 100 / 110 / 117 / 220 / 240 V ±10% |
| Power consumption | 510VA or less (incl. power for camera & 9”VF with cable loss) |
| Operating temperature | -0 to +45 degrees C |
| Storage temperature | -30 to +60 degrees C |
| Dimensions (W x H x D) | 483 x 133x 454 mm |
| Weight | 28 Kg |
| Output signals | |
| HD-SDI output |
・4x BNC type selectable as below ・2x Replay and 2x Live:1080i or 720p / 59.94 or 50Hz ・2x Dual Link of Replay or Live:1080p / 59.94 or 50Hz ・4x 3G-SDI of Replay or Live:1080p / 59.94 or 50Hz |
| HD-SDI PM output | 2x BNC type,1080i or 720p / 59.94 or 50Hz |
| HD-SDI WFM output | 2x BNC type,1080i or 720p / 59.94 or 50Hz |
| SYNC output | 1x BNC type,HD: Tri-Sync |
| Input signals | |
| HD SDI Return input | 4x BNC type, 1080i or 720p / 59.94 or 50Hz |
| Reference (Genlock) input | 1x BNC type, HD Tri-Sync or PS / SD VBS or BBS |
| Audio (MIC) output | 2x XLR 3pin: 2ch, 0dBm |
| Talkback & Tally | Both Engineering & Production Talkback Circuits, with 2 Program Sound Inputs |
| Intercom (ENG/PROD) | (4-wire or Clearcom or RTS) |
| 4-wire | 0dBm,600Ω,2ch |
| Clearcom | -15dBs,200Ω,2ch |
| RTS | 0dBm,200Ω,2ch |
| Program sound | 0dBs,600 or 10KΩ,2ch |
| Tally Red, Green input / output | |
| Others | |
| OCP | 1x Tajimi 8pin |
| Slow REM | 1x D-sub 9pin, RS-422 |
| Data Trunk | 1x D-sub 15pin, RS-422 |
| ARC Net | 1x BNC type |
| Camera Hybrid Fibre Connector | 1x LEMO 3K or TAJIMI OPS (selectable) |
| ※Specifications subject to change without notice | |
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